City of thoth

The mummy of queen tiye
Which pharaoh married his mother
Hekashepes wikipedia

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Introduction

Ali M.F., 2003. Comparison study of Blue and green pigments from the third intermediate period till the Greek Roman Period. Egyptian Journal of Analytical Chemistry, 12: 21-30.

Ambers J.C., 2010. The Nebamun Wall Paintings: Conservation, Scientific Examination and Re-Display Materials and Techniques of the Paintings: Pigments. British Museum Press: 1-18.

Bikiaris D., Daniilia Sr., Sotiropoulou S., Katsimbiri O., Pavlidou E., Moutsatsou A.P., Chryssoulakis Y., 1999. Ochre^_differentiation through micro-Raman and micro-FTIR Spectroscopes: application on wall paintings at Meteora and Mount Athos, Greece. Spectrochimica Acta A, 56: 3-18.

Borque A.G., Ruiz-Moreno S., López-Gil Serra A., 2004. Application of near infrared Raman spectroscopy to the analysis of historical documents. ICOM-CC Working Group Graphic Documents Interim meeting, Ljubljana, Slovenia, March 11-12: 73-74.

Castro K.Z., Pérez-Alonso M., Rodriguez-Laso M.D., Fernández L.A., Madariaga M.Z.J., 2005. On-line FT-Raman and dispersive Raman Spectra database of artists’ Materials (e-VISART database).

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Djéhoutynakht

Djéhoutynakht (identifié comme étant soit Djéhoutynakht IV, soit Djéhoutynakht V), est un ancien nomarque du nome du Lièvre (15^e nome de Haute-Égypte) tout à la fin de la XI^e ou au début de la XII^e dynastie. Il est connu pour son cercueil extérieur peint (communément appelé le « cercueil Bersha »), aujourd'hui exposé au Museum of Fine Arts de Boston avec ses autres objets funéraires.

Biographie

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Autrefois considéré comme ayant vécu sous le règne du pharaon Sésostris III de la XII^e dynastie, l'analyse de son mobilier a permis de déduire qu'il a en fait vécu à une période antérieure, bien qu'un certain degré d'incertitude subsiste : il est très difficile de retracer la famille et les événements de la vie de Djéhoutynakht, et la seule relation certaine est celle avec sa femme, également nommée Djéhoutynakht. Ce nom était très courant à cette époque et on connaît six nomarques le portant, dont deux — respectivement le quatrième et le cinquième — étaient mariés à une femme portant le même nom

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Djehutynakht

Djehutynakht, tentatively identified with Djehutynakht IV or Djehutynakht V, was an ancient Egyptian "Overlord of the Hare nome" (the 15th nome of Upper Egypt) during the very end of the 11th Dynasty or the early 12th Dynasty (21st-20th century BCE). He is well known for his painted outer coffin (commonly called the “Bersha coffin”) now exhibited in the Museum of Fine Arts, Boston along with his other grave goods.

Biography

Once believed to have lived during the reign of pharaohSenusret III of the 12th Dynasty, from the analysis of his furniture it has been deducted that he actually lived in an earlier period, although a degree of uncertainty still remains: it is very difficult to trace Djehutynakht's family and life events, and the only certain relationship is that with his wife, also named Djehutynakht. The name was very common in this period and six nomarchs bearing it are known, two of whom – the fourth and the fifth respectively – were married to a wife with the same name.^[2]

Djehutynakht IV, son of Ahanakht I

If this noma