Arlecchino giorgio strehler biography

Giorgio Strehler was an Italian stage director, theatre practitioner, actor, and politician.
Giorgio Strehler died in 1997, 50 years after founding the Piccolo Teatro di Milano and presenting as one of the young company's first.
The Piccolo Teatro 's three-hour production of Arlecchino, originally staged by Strehler in 1947, is his take on Goldoni's 1743 farce, The.

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Giorgio Strehler

Italian opera and theatre director (1921–1997)

Giorgio Strehler (Italian pronunciation:[ˈdʒordʒoˈstrɛːler]; German:[ˈʃtʁeːlɐ]; 14 August 1921 – 25 December 1997) was an Italian stage director, theatre practitioner, actor, and politician. Strehler was one of the most significant figures in Italian theatre during his lifetime, described by Mel Gussow as "the grand master of Italian theater" and "one of the world's boldest and most innovative directors".^[1] He co-founded Italy's first and most significant repertory company, the Piccolo Teatro of Milan, and the Union of the Theatres of Europe.^[2] With the Italian Socialist Party, Strehler served as Member of the European Parliament between 1983 and 1984, representing North-West Italy. He switched parties to the Independent Left, for which he was a Senator from 1987 to 1992, representing Lombardy.

Biography

Strehler was born in Barcola, Trieste.^[3] His father, Bruno Strehler, was a native of Trieste with family roots in Vienna and died when Giorgio was only

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Arlecchino, Servant of Two Masters

Giorgio Strehler died in 1997, 50 years after founding the Piccolo Teatro di Milano and presenting as one of the young company’s first productions a revival of Carlo Goldoni’s 1745 commedia dell’arte classic Arlecchino, Servant of Two Masters. His version, which he restaged nine times with the intention of continually refining it, was a hit then and is still considered the masterwork of Italy’s greatest 20th-century director, Theater lovers can found out why at the Lincoln Center Festival through Saturday.

It’s easy to understand why so many accolades have been tossed at Strehler’s stylized and stylish treatment of Goldoni’s comedy. In launching his outfit a half-century ago, Strehler made theater history, looking forward by looking backwards. He reinvigorated Arlecchino by presenting it as it might have looked when Goldoni decided in the middle of the 18th century that it was high time to codify the long-developing commedia dell’arte tradition.

Strehler’s idea was to demonstra

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Arlecchino servitore di due padroni

Concluded

Born in 1947 for the first season of the Piccolo, Harlequin has been part of its theatre’s history for seventy-four years. With Enrico Bonavera in the lead role and a company of great actors, the irresistible magic of Goldoni and Strehler’s play returns to Via Rovello.

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Teatro Grassi

“This timeless Harlequin is characterised by the passage and renewal of life. It is blood that pulses and flows through the veins of a theatre both real and imaginary, just like in the human body”. This is how Giorgio Strehler described the play that he created in the summer of 1947 and renewed for 10 editions, up to the 50th anniversary of the Piccolo. Entrusted, after Strehler’s death, to Ferruccio Soleri who, together with Stefano de Luca, created the version that now travels the globe, the play returns every season to Via Rovello. What is the secret of Harlequin? It is, without a doubt, the fact that it represents the continuity that characterises the history of the Milanese theatre. “